Grade 12
Course ContentPhotography
Habari Mwanafunzi! Welcome to the World of Photography!
Have you ever seen a breathtaking sunset over the Great Rift Valley, the vibrant chaos of a Gikomba market, or the powerful leap of a Maasai warrior and wished you could capture that exact moment forever? That, my friend, is the magic of photography! It’s not just about pointing and clicking; it’s about freezing a moment in time, telling a story without a single word. Today, we are going to learn how to become storytellers using light and a camera. Twende kazi! (Let's get to work!)
The Camera: Your Digital Eye
Think of a camera as a powerful version of your own eye. It has parts that work together to capture the world just like your eye does. Let's break down the basics:
- The Body: This is the main part you hold. It's like the skull that protects the brain. It houses all the important electronics and controls.
- The Lens: This is the 'eye' of the camera. It's a set of glass pieces that focuses light onto the sensor. Just like your eye's lens, it makes things sharp.
- The Sensor: This is the 'retina' of the camera. It's a small, light-sensitive chip that digitally records the image the lens focuses on it.
- The Shutter: This is the 'eyelid'. It opens and closes for a specific amount of time to let light hit the sensor.
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| [Viewfinder]--[Shutter Button] |
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[LENS] <----(Light)----> [SHUTTER] --> [SENSOR] |
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| [CAMERA BODY] |
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A Simple Diagram of How a Camera Works
Image Suggestion: A vibrant, high-resolution photo of a young Kenyan student holding a modern DSLR camera. They are looking through the viewfinder with intense focus and a smile. In the background, the colourful, bustling streets of Nairobi are softly blurred, highlighting the student and their passion for photography.
The Exposure Triangle: The Secret Recipe for Great Photos
Every perfect photo is a balance of three key ingredients. We call this the Exposure Triangle. Mastering this is the key to moving from taking simple snapshots to creating amazing photographs. The three sides are Aperture, Shutter Speed, and ISO.
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APERTURE --- SHUTTER SPEED
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ISO
1. Aperture (The Pupil of the Camera's Eye)
Aperture is the opening inside your lens that lets light in. Just like the pupil of your eye gets bigger in the dark and smaller in bright light, you can change the size of the aperture.
- It's measured in f-stops (e.g., f/1.8, f/4, f/16).
- Here's the tricky part: A small f-stop number (like f/1.8) means a large opening, letting in lots of light. A large f-stop number (like f/16) means a small opening, letting in very little light.
Aperture also controls Depth of Field (DoF) – how much of your photo is in sharp focus. A large opening (small f-number) gives you a blurry background (shallow DoF), which is perfect for portraits! A small opening (large f-number) keeps everything sharp from front to back (deep DoF), which is great for landscapes.
Kenyan Example: Imagine you are photographing a colourful Turkana bead artist at her stall. You want her to be the main focus, not the busy market behind her. You would use a wide aperture like f/2.8 to make her face sharp and beautifully blur the background. But if you are photographing the vast plains of the Maasai Mara with giraffes near and Mount Kilimanjaro far in the distance, you would use a narrow aperture like f/11 to get everything in focus.
2. Shutter Speed (The Blink of an Eyelid)
This is how long the camera's 'eyelid' (the shutter) stays open to let light hit the sensor. It's measured in seconds or fractions of a second (e.g., 1s, 1/60s, 1/1000s).
- Fast Shutter Speed (e.g., 1/1000s): Freezes motion. Perfect for capturing a Harambee Stars striker scoring a goal or a fish eagle catching a fish from Lake Naivasha.
- Slow Shutter Speed (e.g., 1s): Creates motion blur. Used with a tripod, it can make the waterfalls at Thomson's Falls look silky smooth or capture the light trails of cars along Uhuru Highway at night.
3. ISO (The Camera's 'Sunglasses')
ISO measures the sensor's sensitivity to light. Think of it like putting sunglasses on your camera's sensor.
- Low ISO (e.g., 100, 200): The sensor is not very sensitive. Use this in bright light, like a sunny day at Diani Beach. The image will be clean and sharp.
- High ISO (e.g., 1600, 3200): The sensor is very sensitive. Use this in low light, like indoors or after sunset. The trade-off is that it can create digital 'noise' or grain, making the photo look a bit speckled.
Putting It All Together: The Math of Exposure
These three settings work together. If you change one, you must adjust another to keep the exposure balanced. Let's say your camera's light meter says a scene is perfectly exposed at:
Setting 1:
Aperture: f/8
Shutter Speed: 1/125s
ISO: 200
Now, imagine a boda-boda is speeding past and you want to freeze its motion. You need a faster shutter speed. You change it to 1/500s. That's two 'stops' faster, meaning you are letting in 4 times less light. To keep the photo correctly exposed, you need to let in 4 times more light with your other settings. You could:
Option A: Change the Aperture
New Shutter Speed: 1/500s (-2 stops of light)
New Aperture: f/4 (+2 stops of light)
ISO: 200 (stays the same)
Option B: Change the ISO
New Shutter Speed: 1/500s (-2 stops of light)
Aperture: f/8 (stays the same)
New ISO: 800 (+2 stops of light)
See? It's a balancing act! Sawa?
Composition: Arranging Your Story
A technically perfect photo can still be boring. Composition is the art of arranging the elements in your photo to be visually pleasing and to guide the viewer's eye. Here are two powerful rules to start with.
1. The Rule of Thirds
Don't just put your subject in the dead center! Imagine your screen is divided into a 3x3 grid, like a noughts and crosses game. The Rule of Thirds suggests you place your most important subjects along these lines or at the points where they intersect. This creates a more dynamic and interesting photo.
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| (Place |
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Image Suggestion: A breathtaking photograph of a lone acacia tree during a Tsavo sunset. The sun is setting on the left vertical line, and the horizon is placed on the bottom horizontal line, perfectly demonstrating the Rule of Thirds and creating a sense of vast, open space.
2. Leading Lines
Use natural lines in the environment to lead the viewer's eye towards your main subject. This could be a road, a river, a fence, or even a line of people. It creates a sense of depth and guides the story.
Kenyan Example: Think of the winding roads climbing up the hills of the Kericho tea plantations. If you frame your shot so one of those roads starts at the bottom corner of your photo and winds its way up to a small building in the distance, you've used a leading line to tell a story and create a beautiful image!
Your First Assignment: My Kenya in Three Shots
Now it's your turn! You can use a DSLR, a point-and-shoot camera, or even your phone. The principles are the same. Your mission is to capture three different photos that tell a story about your world.
- The Portrait: Find a person (a friend, a parent, a shujaa in your community). Use the widest aperture you can (on a phone, this might be 'Portrait Mode') to blur the background and make them the star.
- The Landscape: Take a photo of a place you love. Use the Rule of Thirds to position the most interesting element (a tree, a building, the sun) off-center. Try to get everything sharp.
- The Action Shot: Capture movement! It could be someone playing football, a matatu turning a corner, or water splashing. Use a fast shutter speed to freeze the action perfectly.
Photography is a journey of learning to see the world differently. You have a unique perspective, a unique story to tell. So pick up your camera, keep your eyes open for the beauty in the everyday, and show us your Kenya. Hongera, you are now a photographer!
Pro Tip
Take your own short notes while going through the topics.